This new edition, based on volume 4 of the New Bach Edition ' Revised (NBArev), now completes Bärenreiter's collection of the cello suite editions. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike. At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation and phrasing being particularly ambiguous. It is lost and this circumstance has always been a major challenge for editors. But the composer's autograph has not come down to us. Appropriately and not surprisingly there are countless editions of the suites. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. The suites take centre stage in the cello literature. Pre-shipment lead time: 3-10 days - In Stock Supplierīach, Johann Sebastian Six Suites for Violoncello solo BWV 1007-1012 Urtext of the New Bach Edition - Revised (NBArev) Editor Talle, Andrew When you think cello, you think of Bach's immortal cello suites. Niveau : Avancé / Classic - Solos / Répertoire / Guitare Classique Bach's masterpieces transcribed for classical guitar. What sets Lorimer'sarrangement of Suite 1 apart and facilitates performance of this challenging but worthwhile piece, is the fact that he has provided adequate right-hand fingering and an extraordinary amount of left-hand digitation- all contributing to the musical rendition of an outstanding transcription. Although the guitar per se did not exist during Bach's time, Bach himself is known to have transcribed his own cello music for the Baroque lute. â€Guitar transcriptions from cello literature are not new to the guitar repertoire. In his preface, Lorimer notes that the guitar lends itself well to transcriptions of cello music because the two instruments occupy a similar range and 'the lute-like style-brisé (broken chord) textures of this music invite performance on our modern instrument. Originally written in the key of G major, Michael Lorimer has transcribed Bach's Cello Suite 1 (BWV1007) for guitar in D major, with the sixth string dropped to D.
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